Humidity’s first success came in early 2011, when it was selected for the Script Station platform ...
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Separated from the outside world with only a boat to connect their remote village to the mainland, the inhabitants of Lake Kenozero live the way their ancestors did for centuries gone by: the community is small, everyone knows each other and they produce only those things which are necessary for survival. The village postman, Aleksey Tryapitsyn, is their sole connection to the outside world, relying on his motorboat to bridge the two civilizations. But when his boat’s motor gets stolen and the woman he loves escapes to the city, the postman follows, desperate for a new adventure and a new life. What follows is a journey of self-discovery, as the postman is confronted with old demons, love and a revelation that there is no place like home.
Andrei Konchalovsky
Andrei Konchalovsky is a Russian film and theatre director and screenwriter. Growing up, he was trained as a concert pianist. He co-wrote several movie screenplays with Andrei Tarkovsky during their studies at the Gerasimov Institute of Cinematography. Their cooperation resulted in a featurette, Steamroller and the Violin (1961), and Ivan’s Childhood (1962), a feature in which Konchalovsky also played a small role. Later, the two collaborated on the screenplay for Andrei Rublev (1966). In the meantime, Konchalovsky directed his first film, First Teacher (1965), based on the prose by Chynghyz Aitmatov. His next film, The Story of Asya Klyachina (1967), was for the first time widely distributed only 20 years after it had been produced. Following an adaptation of Uncle Vanya (1971), Konchalovsky directed A Lover’s Romance (1974) in which characters speak mostly in free verse. He was awarded the Grand Prize of the Jury at the 1979 Cannes Film Festival for the four-part Siberiade, portraying three generations a Russian family living in a village. In 1972, he won the Kazakhstan State Award for the screenplay of The End of The Ataman. He also won the Russian People’s Artist Award in 1980. In the same year, he went to Hollywood. In the movie Maria’s Lovers (1984), he sets Andrei Platonov’s novel in a Serb community in a small town in Pennsylvania. His movie, Runaway Train (1985), was based on the screenplay by Akira Kurosawa. In the US, Konchalovsky also directed television and won a Prime-Time Emmy for his mini-series, The Odyssey. Since 1994, he has directed movies on both sides of what once was the Iron Curtain. Andrei Konchalovsky also directs drama classics and operas in theater. His newest film, The Postman’s White Nights, won the Silver Lion at the Venice Film Festival.
Filmography
2014 Belye nochi pochtalona Alekseya Tryapitsyna / Postman's White Nights, The
2009 Nutcracker, The
2007 Gloss
2002 Dom durakov / House of Fools
1994 Kurochka Ryaba
1991 Inner Circle, The
1989 Tango & Cash
1989 Homer and Eddie
1987 Shy People
1986 Duet for One
1985 Runaway Train
1984 Maria's Lovers
1979 Sibiriada / Siberiade
1974 Romans o vlyublyonnykh
1971 Dyadya Vanya / Uncle Vanya
1969 Dvoryanskoe gnezdo / Nest of Gentry, A
1966 Istoriya Asi Klyachinoy, kotoraya lyubila, da ne vyshla zamuzh / The Story of Asya Klyachina
1965 Pervyy uchitel
1961 Malchik i golub
Festivals
2014 Venice, Kustendorf
Awards
2014 Venice - Silver Lion- Best Director (Andrey Konchalovskiy), Green Drop Award
Shot through with quiet lyricism, and scored by a mix of choral, orchestral and ambient music that weaves in and out of the crisply-rendered sounds of the natural world, Konchalovsky has gone back to the artisanal roots of cinema and drama to make a film of undeniable charm.
Lee Marshall, ScreenDaily
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Humidity’s first success came in early 2011, when it was selected for the Script Station platform ...