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    • THE FRONTIERS JURY

      FEST 2015 / About Fest / Jury / THE FRONTIERS JURY

      PRIZES OF THE FRONTIERS JURY

      • PLAKETA
        za najbolji igrani film iz programa Granice
      • SPECIJALNO PRIZNANJE
      • THE PLAQUE
        for the best feature film from the program Frontiers
      • SPECIAL MENTION

       

      DJORDJE KADIJEVIĆ / Jury President

      Djordje Kadijević is a Serbian director and art historian. Since 1960 he has been active on several fields, history and theory of art, criticism, film and TV directing. He is the author of five theatrical and six TV features, four TV series, and ten short and documentary films. Kadijević is recognized as outstanding author since 1980, and he is active member of Serbian Film Academy. He attended many film festivals, such as Pula, Venice, New York, and he won more than few awards at some of them.

       

      Nikola Popević

      Nikola Popević is a longtime film translator and program editor of foregin film and serial program. As a pioneer of Belgrade computer scene, in 1983 he became a part of „Svet kompjutera“ team. In 1992 he began to work in film division of TV Politika. Than he went to TV Pink where he stayed till the transfer to Radio Television of Serbia in 2004. In September 2013 he was appointed to the position of editor-in-chief for the division of foreign film and serial program at RTS. He is the author of several no budget music videos. He also wrote critics for the “Filaž” magazine, blog Cult of Ghoul and several internet portals. In 2014 he was a jury member at Beldocs documentary film festival.

       

      Miroljub Stojanović

      He finished studies of World Literature at the Faculty of Philology in Belgrade. He has been working as a professional associate and an editor of publishing activities of the Film Institute, later Serbian Film Center. He published film criticism, essays, theory and research works in more than 40 print publications. His articles about film have been translated into five languages and his extensive bibliography is consisted of numerous TV and radio broadcasts, lectures and discussions. Asian film and Asian culture in general have been his focus of interest for years. He is an expert in Indian cinema, particularly the period of “golden age”.

       

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